I had the great privilege of studying with David while I was at the Royal Central School of Speech and Drama in London. This is the first of 5 of his posts on basic Model-Making techniques.
Please note before you start reading this older post that I have long since included a version in my Methods pages, under Making realistic models, which can be accessed above. That version may have been updated or expanded since.
I will be teaching five 3-hour sessions in model-making for the theatre design students at RADA (Royal Academy of Dramatic Art) in London throughout this month. The fact that I’m given five, short time-slots is convenient, I think, because it fits in with the way I usually divide up model-making, at least in practical terms, into five areas; .. main construction, fine construction, modelling and shaping, creating surfaces and painting. I’ve delivered these sessions many times before but I’m always driven to ‘re-evaluate’, so this time I’m using that as an opportunity to write up my preparation for those sessions here. The next five posts are therefore geared towards the specialities of making theatre set design models, but many of…
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